Now in his 80s, the iconic filmmaker is considered a enduring figure who functions entirely on his own terms. Similar to his unusual and enchanting films, the director's seventh book challenges standard rules of storytelling, merging the lines between truth and fiction while examining the core essence of truth itself.
Herzog's newest offering presents the artist's opinions on veracity in an era flooded by AI-generated falsehoods. These ideas appear to be an expansion of Herzog's earlier manifesto from the late 90s, including powerful, gnomic opinions that cover despising documentary realism for hiding more than it clarifies to shocking remarks such as "rather die than wear a toupee".
A pair of essential ideas form Herzog's understanding of truth. First is the idea that pursuing truth is more valuable than ultimately discovering it. As he puts it, "the quest itself, bringing us nearer the hidden truth, allows us to engage in something fundamentally unattainable, which is truth". Second is the belief that plain information deliver little more than a dull "financial statement truth" that is less useful than what he calls "exhilarating authenticity" in guiding people grasp existence's true nature.
If anyone else had written The Future of Truth, I imagine they would encounter critical fire for taking the piss from the reader
Reading the book feels like hearing a campfire speech from an engaging family member. Within several compelling stories, the strangest and most remarkable is the account of the Italian hog. According to the filmmaker, in the past a swine became stuck in a vertical sewage pipe in the Italian town, the Mediterranean region. The pig stayed trapped there for an extended period, surviving on scraps of sustenance dropped to it. Over time the pig developed the contours of its container, becoming a kind of semi-transparent mass, "ghostly pale ... unstable as a large piece of gelatin", taking in food from above and eliminating waste below.
The filmmaker employs this story as an symbol, linking the trapped animal to the dangers of prolonged cosmic journeys. Should humanity begin a voyage to our most proximate habitable world, it would need centuries. Throughout this time the author foresees the intrepid voyagers would be obliged to mate closely, evolving into "genetically altered beings" with little understanding of their expedition's objective. Ultimately the cosmic explorers would transform into pale, worm-like entities comparable to the Sicilian swine, able of little more than eating and defecating.
This disturbingly compelling and inadvertently amusing transition from Sicilian sewers to cosmic aberrations offers a demonstration in the author's concept of exhilarating authenticity. Because readers might learn to their surprise after trying to substantiate this fascinating and biologically implausible square pig, the Italian hog seems to be apocryphal. The pursuit for the limited "factual reality", a existence grounded in simple data, overlooks the meaning. What did it matter whether an imprisoned Sicilian creature actually turned into a quivering wobbly block? The actual point of the author's narrative abruptly emerges: confining creatures in small spaces for prolonged times is imprudent and creates aberrations.
Were a different author had written The Future of Truth, they might receive negative feedback for strange structural choices, rambling remarks, contradictory ideas, and, to put it bluntly, taking the piss from the audience. Ultimately, the author allocates five whole pages to the histrionic storyline of an opera just to demonstrate that when artistic expressions include powerful feeling, we "invest this absurd essence with the entire spectrum of our own sentiment, so that it seems curiously genuine". Yet, since this volume is a collection of particularly the author's signature musings, it avoids negative reviews. The excellent and creative rendition from the native tongue – in which a crypto-zoologist is characterized as "a ham sandwich short of a picnic" – remarkably makes Herzog increasingly unique in tone.
Although a great deal of The Future of Truth will be recognizable from his previous books, cinematic productions and conversations, one comparatively recent aspect is his meditation on deepfakes. The author points more than once to an AI-generated perpetual conversation between artificial sound reproductions of the author and a contemporary intellectual on the internet. Since his own methods of attaining ecstatic truth have featured inventing remarks by well-known personalities and choosing actors in his factual works, there exists a potential of hypocrisy. The difference, he argues, is that an thinking person would be adequately able to recognize {lies|false
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